Saturday, July 31, 2021

New top story from Time: Team USA Swimming’s Tokyo Olympics Medal Haul Fell Just Short of Rio. But Fresh Faces Offer Hope for the Future



“When you think of swimming, you think Australia and USA,” Caeleb Dressel told reporters in Tokyo. “The two powerhouses of swimming.”

And in the final day of competition at the Tokyo Aquatics Center, that proved true as every race was won by swimmers from the two countries. While the night for Team USA ended on a high note, with gold and a world record in the men’s 4×100-m medley relay, its total swimming medal tally of 30 at the Tokyo pool fell just short of its 33 from Rio, when Michael Phelps and Katie Ledecky alone contributed 11 medals to the haul.
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Tokyo represents a transition year for Team USA swimming, as well as a crucible, as the first Olympics in modern history occurring in the middle of a pandemic. New leaders like Dressel emered as the foundation for a team of fresh faces including Lydia Jacoby, Regan Smith, Bobby Finke and Erica Sullivan. And while Rio’s team featured several swimmers racing multiple events, Tokyo’s team is slightly more specialized; Ledecky and Dressel were the only swimmers to win more than two medals.

With 11 teens, 10 of them women, the team was rich with promise but shallower in experience, which may have showed in the new mixed relay event on the next to last day of racing in the fifth place finish. There were flashes of brilliance over the nine-day meet, which hinted at the promising future ahead with a new batch of stars in the pool—Jacoby’s gold in the 100-m breaststroke, Sullivan’s silver medal finish behind Ledecky in the 800-m freestyle, and Finke’s stunning last lap in the 800-m freestyle that pulled him from fifth to first.

Read more: Katie Ledecky’s Incredible Olympic Legacy

Finke’s gutsy swim, in fact, was a turning point after the team’s sluggish start in the first few days. “People don’t understand that there is momentum in swimming, and all it takes is one performance to really get that X factor, the extra sense of power—one performance can spark everyone,” says Nathan Adrian, five-time Olympic gold medalist, who is watching every race from his home in California.

Adrian says a number of factors might have contributed to the slow start, beginning with the flipped schedule that has swimmers racing in finals in the morning, and in qualifying preliminary heats in the evening. While most have said the schedule hasn’t affected them, the reality is that some have posted faster times in the evening than in the morning finals.

A final night of medals

Swimming - Olympics: Day 9
Clive Rose—Getty ImagesTeam USA cheers during day nine of the Tokyo 2020 Olympic Games at Tokyo Aquatics Centre on August 01, 2021 in Tokyo, Japan.

The Team USA cheering squad filled a section closest to the pool on the final night of the meet, with most of the U.S. swimming team, including Ledecky, in the stands, clad in navy USA T-shirts and waving fan sticks.

Then the U.S. women’s 4×100-m medley relay of Smith, Jacoby, Torri Huske and Abbey Weitzeil touched just behind Australia for the silver. Jacoby, whose goggles came off during the mixed medley relay the day before, swam an impressive breaststroke leg to bring the Americans from third to first; Huske kept the lead during the fly and Weitzeil was just out-touched at the wall during the freestyle leg by a surging Cate Campbell from Australia as the Australians set a new Olympic record of 3:51.60. Team USA came in second at 3:51.73 and the Canadians finished third. The U.S. has captured gold or silver in the event at every Olympics since 1960.

Then it was the men’s turn. The U.S. men also owned the world record heading into the event, set back in 2009 at the world championships. Swimming in lane 1 after qualifying 7th in preliminary heats, Ryan Murphy, Andrew, Dressel and Zach Apple proved to be the outside spoilers. Murphy was fastest off the blocks for the backstroke leg with an impressive 0.50 reaction time, and brought the U.S. to the wall first. Andrew dove in for the breaststroke and dropped back to third by the time Dressel took off for the butterfly leg. At 50 m, Dressel had brought Team USA to second, behind Team Great Britain, and pulled ahead in the next 50 m to touch the wall first. All Apple had to do was bring it home, which he did as the freestyle anchor. The win—and a world record time of 3:26.78—maintains the golden dominance of the U.S. men in the event; Team USA won every Olympics except 1980, which the U.S. boycotted.

The relay medals were a welcome boost on the final day, after a disappointing fifth place finish in the first-ever mixed medley relay the day before. “If you ask anyone on the relay, of course we’re not happy with where we finished,” said Dressel, who swam the anchor leg and pulled the team from 8th to fifth place. “Fifth place is unacceptable for USA Swimming and we’re very aware of that. The standard is gold, and that’s what we’re always shooting for in every race and we didn’t execute well. But we know what we need to do moving forward.”

The pandemic’s impact on USA Swimming

Heading into Tokyo, the pandemic posed some training challenges for swimmers. Lockdowns and infectious disease precautions meant many swimmers couldn’t train properly in the water for months, and still haven’t resumed full access to recovery, stretching and other facilities. It also meant no racing for most of the year, which robbed coaches and athletes of critical markers for determining how swimmers’ times stacked up.

Delaying the Games by a year also disrupted the normal routine of intense practice and tapering, a carefully orchestrated decrease in training before crucial meets, that are the guiding force of a competitive swimmer’s career. Dressel noted that he’s still not back at his usual gym for strength training, working instead in his trainer’s garage. Adrian says the lack of access of facilities could have other consequences as well, since it’s not just the pool that swimmers require to stay in top shape. “Normally you can show up early, take a nice shower, sit in the hot tub or stretch, work on your flexibility or do meditation,” he says, all important elements to the overall package of training. “With COVID-19 restrictions you can’t show up more than five minutes early, and you have to leave immediately after you’re done training.”

Simone Manuel, the 50-m and 100-m freestyle gold medalist in Rio, was diagnosed with overtraining syndrome and attributes part of it to not recovering the way she normally does over the past year. Manuel fell short of a U.S. spot in the 100 m, and failed to qualify for the 50-m final in Tokyo. In ways both direct and indirect, says Adrian, “100%, absolutely COVID-19 had an impact.”

That impact wasn’t all negative; some countries never closed their pool as states in the U.S. did, and while that strategy ran the risk of exposing athletes to COVID-19, their training never came to an abrupt halt as it did in the U.S. “It’s certainly something I think about when I look at the performance in these Games,” says Adrian. “Who knows if it’s a good thing or a bad thing, but it’s certainly a thing.”

The delay in the Tokyo Games means that the next Olympics is actually only three years away, and Ledecky for one is thinking ahead to training for 2024 in Paris. “I’m definitely going through to Paris, maybe beyond as well,” Ledecky said after her 800-m freestyle race. “I recognize how difficult it is to keep going back [to the Olympics], so I told myself before the race, soak it all in because you just never know if you’ll be back on the Olympic pool deck. I remember having that thought even in Rio.”

That seemed to be the theme of this Games—for veterans like Ledecky, who earned silver in the 400-m freestyle behind Australia’s rising talent Ariarne Titmus, and for Lilly King, who was the defending gold medalist in the 100-m breaststroke and earned bronze in that event and silver in the 200-m breastroke. The always outspoken King criticized media that characterized her finishes as somehow inferior to her results in Rio, calling the lack of respect for silver and bronze medalists “bullsh-t.” “You get to bring a medal home for your country and just because we compete for the United States and maybe we have extremely high standards for this sort of thing doesn’t excuse the fact that we haven’t been celebrating silver and bronze as much as gold,” she said. Of Team USA’s 30 medals at the pool, 19 were silver or bronze.

Ledecky is well aware that a new generation is ready to challenge her and she’s ready to fight for her spot on the next squad. “There’s never a guarantee when you’re competing against U.S. swimmers with how competitive our Trials are,” she said. And that’s a good thing.

Read more about the Tokyo Olympics:

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New top story from Time: Caeleb Dressel Claims 4th Tokyo Gold With 50-m Freestyle Olympic Record



Securing his place as one of the biggest stars of the Tokyo Olympics, Caeleb Dressel won his fourth gold medal with a victory in the 50-meter freestyle Sunday.

Dressel cruised to a relatively easy win in the frenetic dash from one end of the pool to the other, touching in an Olympic record of 21.07 seconds.

When the 24-year-old Floridian saw his time and, more important, the “1” beside his name, he splashed the water and flexed his bulging arms.

Dressel swept the 50 and 100 freestyle races, to along with a world-record triumph in the 100 butterfly and a leg on the winning U.S. team in the 4×100 free relay. And he still had one more chance to make it five medals on the final day of swimming at the Tokyo Aquatics Centre.
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A few minutes after Dressel climbed from the pool, Australia’s Emma McKeon completed her own freestyle sweep. She touched in 23.81 seconds to take the women’s 50 free, adding to her victory in the 100 and her sixth medal overall at these games.

In keeping with the theme of the day, Bobby Finke pulled off his own sweep in the two longest freestyle races.

With another strong finishing kick, Finke became the first American man in 37 years to win the 1,500 freestyle. He added to his victory in the 800 free, a new men’s event at these games.

In the men’s 50, France’s Florent Manaudou finished behind Dressel to repeat as the Olympic silver medalist in 21.55, while Brazil’s Bruno Fratus claimed the bronze in 21.57 — edging American Michael Andrew for the final spot on the podium.

In the ready room shortly before the race, Dressel paced back and forth anxiously while most of the other swimmers relaxed in their chairs.

Then, he was cool as can be in swimming’s most furious lap. Popping up from the water with the lead, as is always the case with his impeccable underwater technique, Dressel was clearly in front all the way in a race that is often too close to call.

Dressel had one more event — the 4×100 medley relay, a race the United States has never lost at the Olympics. He was swimming the butterfly leg in a race that caps nine days of swimming competition at a 15,000-seat that, sadly, was largely empty throughout the meet.

If Dressel claims a fifth victory, he would join Americans Michael Phelps, Mark Spitz and Matt Biondi, as well as East Germany’s Kristin Otto, as the only swimmers to win as many as five golds at a single Olympics. Phelps did it three times.

McKeon also has a shot at history after winning with an Olympic-record time of 23.81.

The silver went to Sweden’s Sarah Sjöström in 24.07, while defending Olympic champion Pernille Blume of Denmark settled for bronze this time in 24.21.

American Abbey Weitzeil finished last in the eight-woman field.

McKeon has a chance to earn her seventh medal in the 4×100 medley relay. No female swimmer has ever captured that many at a single games.

Just as he did in winning the 800 free, Finke stayed close throughout the 30-lap race and turned on the speed at the end. He touched in 14 minutes, 39.65 seconds.

Ukraine’s Mykhailo Romanchuk took the silver in 14:40.66, while the bronze went to Germany’s Florian Wellbrock in 14:40.91. Italy’s Gregorio Paltrinieri faded to fourth in 14:45.01.

The top four were close nearly the entire race, often separated by less than a second. But that was right where Finke needed to be. After his closing lap in the 800, he knew he had the speed at the end to beat everyone else.

Finke has been perhaps the biggest American surprise at the pool. Relatively unknown before the U.S. trials, he became the first American male to win the grueling event since Mike O’Brien at the 1984 Los Angeles Games.

___

Paul Newberry is an Atlanta-based national writer and sports columnist covering his 14th Olympics. Follow him on Twitter at https://twitter.com/pnewberry1963 and his work can be found at https://apnews.com/search/paulnewberry

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Friday, July 30, 2021

New top story from Time: 4 Takeaways From Billie Eilish’s New Album Happier Than Ever



Last January, Billie Eilish and her brother Finneas responded with audible groans when their album, When We All Fall Asleep, Where Do We Go?, was awarded Album of the Year at the Grammys. “We didn’t make this album to win a Grammy… we didn’t think we would win anything ever,” Finneas, who produced the album, told the crowd in a sheepish acceptance speech. “We stand up here confused and grateful.”

Eighteen months later, the pair has returned to a much bigger audience and much higher expectations, as Eilish’s sophomore album, Happier Than Ever, arrives on all streaming platforms. Eilish, at just 19, is one of the most adored pop stars in the world, a seven-time Grammy winner and the subject of her own documentary (The World’s A Little Blurry on Apple TV). And in its first day, the 16-track Happier Than Ever (Interscope) immediately shot to the top of Apple Music’s albums chart in the U.S. and many other countries; the album sees her expanding her musical palette, exploring personal trauma and abuses of power, and tweaking her unique fashion sensibilities. Here are the main takeaways from Happier Than Ever.
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Eilish’s expanding musical palette includes crooners-era pop, electronica and pop-punk

Eilish’s music has long been difficult to place into a neat genre box; she and Finneas have drawn from Soundcloud rap production, Laurel Canyon folk harmonies and techno. Happier Than Ever retains many of Eilish’s signature soundslanguid ballads, lingering, whispered syllables, dreamy synthesizer pads—while expanding outward into a disparate array of genres and eras. Eilish has talked about her love for jazz and pop torch ballad singers from the ‘50s and ‘60s like Julie London and Peggy Lee, and it’s not hard to hear their influence on songs like “Halley’s Comet” and “Everybody Dies.”

The album also swerves into sonic pockets more suitable for the dance floor: the outro of “I Didn’t Change My Number” is nearly overwhelmed by an abrasive sawtooth bass, while “Oxytocin” recalls the dark twitchiness of Britney Spears Blackout era. And on the second half of the title track, Eilish and Finneas switch to a punk-pop setup, turning up tom-tom drums and electric guitars until they seize with feedback, while Eilish unleashes several guttural howls reminiscent of Phoebe Bridgers’ “I Know the End.” “I screamed my lungs out when we recorded this song. I’ve wanted to get those screams out for a long time,” Eilish said in a Spotify interview accompanying the album.

Her lyrics address male toxicity and beauty standards

As the teenage Eilish has navigated the music industry over the last four years, she has become increasingly vocal about the way in which young women are preyed upon and taken advantage of. “I don’t know one girl or woman who hasn’t had a weird experience, or a really bad experience,” she told Vogue earlier this year. Many of the album’s lyrics touch on similar themes of vulnerability and abuse. “They’re gonna tell you what you wanna hear/ Then they’re gonna disappear/ Gonna claim you like a souvenir/ Just to sell you in a year,” she warns someone younger than herself on “Goldwing.” On “Your Power,” she addresses an abuser directly: “She said you were a hero/ You played the part/ But you ruined her in a year/ Don’t act like it was hard.”

The album also includes “Not My Responsibility,” a short monologue from 2020 that addresses toxic beauty standards, the male gaze, and the paparazzi. After she released the monologue, Eilish was the subject of a torrent of bodyshaming when a photo of her in a tank top went viral. Eilish addressed the sequence of events in the album commentary on Spotify, saying that the interlude was “some of my favorite words I’ve written, and I feel like nobody listened.”

“I put it out and everyone was like, ‘Yas queen! Body positivity!’ And like three months later, there was a picture of me in a tank top and the whole internet was like, ‘FAT!’” she said, laughing.

Eilish sings about her personal life with startling candor

Eilish has said that while much of her previous music was based on characters, Happier Than Ever is much more autobiographical; it deals with a breakup, abuse, identity crises, the perils of fame and losing any semblance of privacy. “I’ve had some trauma, did things I didn’t wanna/ Was too afraid to tell ya, but now, I think it’s time,” she sings on the opener, “Getting Older.” Eilish, as she is wont to do, laces these heavy topics with flippant humor: she laughs off needing therapy in “Male Fantasy” and recounts how legal documents have become a part of her love life on “NDA.”

The album also recounts a breakup with some startling specificity. In the documentary The World’s A Little Blurry, footage captures Eilish with her previously-secret boyfriend, Brandon Adams, as they fall in love and ultimately fall out. One scene shows Eilish unhappily confronting Adams about driving home drunkon the album’s title track, Eilish sings of an extremely similar situation: “You call me again, drunk in your Benz/ Drivin’ home under the influence/ You scared me to death but I’m wastin’ my breath/ ‘Cause you only listen to your f-ckin’ friends.”

The album marks a new era for Eilish’s fashion

When Eilish became a public figure a few years ago, her fashion sensibility was unmistakable: spiky chains; dichromatic green-black hair, oversized hoodies, homages to punk, goth and skateboarding styles. She has since tested many different looks, leaning into eccentric haute couture and pin-up throwbacks. For this album’s rollout, she has chosen an elegant, muted approach in which she sports voluminous blonde hair, plush fabrics and lies across Persian rugs. It’s a marked shift from a previous era in which her chains were always audible in interviewsin which she ate spiders and talked about her penchant for sucking on dirty jewelry. But while some may clamor for the old Billie, the look fits the album’s more refined sonic approach—and will likely be only one of many stylistic shifts by a young star in the process of building a durable and unpredictable career

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New top story from Time: The 5 Best New TV Shows Our Critic Watched in July 2021



July marks the high point of the summer season, and television has noticed. Along with the sparse, anticlimactic but occasionally transcendent Tokyo Olympics, the past month’s best programming has gone hard on sun and fun. Below, you’ll find a devilish dramedy that revolves around trouble in paradise, romances of the both the period-drama and the reality-competition variety, a journey into the sounds of pop music—as well as a surprisingly honest, artful documentary portrait of an Olympian among Olympians.

In need of additional suggestions? Here’s a list of my favorite shows from the first half of 2021, plus a few more highlights from June.
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FBoy Island (HBO Max)

Here’s something I never thought I’d type: thank heavens for FBoy Island. Like Love Island, Temptation Island and, sure, 30 Rock‘s satirical MILF Island before it, FBoy transports a couple dozen hot people to the kind of luxury-beach-resort backdrop where even non-exhibitionists might plausibly wear swimsuits all day. At the center of the game are three gorgeous women, Sarah, Nakia and CJ, looking to get into serious relationships with men who really care about them. Of their 24 chiseled suitors, half are self-identified Nice Guys—guileless dudes who really have come to find love—and half are FBoys (a cleaned-up version of the obvious profane slang term) competing solely for a cash prize.

In the wrong hands, a premise like this could yield the same sexist schlock that is standard for this kind of dating show: look at these poor, stupid girls falling for all the old womanizer gambits. This is where FBoy’s smart execution makes all the difference. Crucially, the women not only come off as relatively intelligent and perceptive, but also generally have each other’s backs, collaboratively sleuthing to sniff out FBoys and saving each other from unpleasant dates. It’s a refreshing change from the catfights that The Bachelor and its clones are always serving up. With a few fun exceptions, the show also conceals from both viewers and the other men whether each contestant is a Nice Guy or an FBoy. This shatters the illusion that it’s easy to tell who’s who, while also maintaining suspense and allowing us to play along from home. [Read TIME’s full review of FBoy Island and Sexy Beasts.]

Naomi Osaka (Netflix)

I wasn’t expecting Netflix’s three-part documentary Naomi Osaka to remind me so much of Radiohead’s Meeting People Is Easy. Released at the height of the band’s mainstream popularity, in 1998, Grant Gee’s tour film captures some stunning musical performances—but what makes more of an impression is all the footage of exhausted musicians trudging their way through interviews, photo shoots and other media obligations that feel unnervingly similar no matter where on Earth they happen to be. The primary mood is disorientation. This is another way of saying that Naomi Osaka isn’t like any other sports doc I’ve ever seen.

Director Garrett Bradley, whose excellent feature Time was nominated for an Academy Award this year, spent two years following the Haitian-Japanese tennis superstar as she ascended to become the top-ranked player in the world. Although it contains no small amount of nail-biting tournament footage, and ends on a high note with Osaka’s Australian Open victory earlier this year, this is no simplistic inspirational narrative. In frank, patient interviews and candid vérité scenes, Bradley evokes a sense of what it must be like to actually be Osaka. And it certainly isn’t easy. The pressure heaped on her by the outside world is exceeded only by the pressure this thoughtful, determined, relentlessly self-critical athlete places on herself. Watching her smile politely through silly fashion shoots, endure rude questions at press conferences and, at one point, wonder aloud whether she’s failed to achieve all she should have by age 22 can be heartbreaking. To her great credit, Bradley captures her subject at some truly vulnerable moments—at one point we watch her immediate, emotional reaction to the death of her mentor Kobe Bryant—without ever coming off as exploitative. By the time the credits roll on episode 3, the series arrives at two very different but equally strong conclusions: Naomi Osaka is incredible, and talent is a curse.

The Pursuit of Love (Amazon)

The Pursuit of Love, a three-part miniseries adaptation of Nancy Mitford’s classic novel from writer-director-actor Emily Mortimer, comes to Amazon on July 30. An instant best-seller in the UK, the book, which TIME’s reviewer praised in 1946 for how it “plays on the surface of life so wittily and deftly,” cast a gimlet eye on an aristocracy—one that included the author’s family, who notoriously spanned the political spectrum of the time—struggling to acclimate to a new social order. Yet the story’s emotional urgency derives less from Mitford’s sharp satire than from the fiercely romantic temperament of its central character, Linda Radlett. Without sacrificing humor or social commentary, Mortimer thrillingly modernizes The Pursuit of Love by ratcheting up the romance in unexpected ways. [Read the full review.]

Watch the Sound With Mark Ronson (Apple TV+)

The first series of this crowded summer for music on TV that really jibes with the way people of all ages listen is Watch the Sound With Mark Ronson, an Apple TV+ original that debuts on July 30. Looking forward more often than he looks back, host Ronson—the producer behind meme magnet “Uptown Funk,” A Star Is Born mega-hit “Shallow” and Amy Winehouse’s Back to Black—takes on the difficult task of explaining various elements of sound without putting non-gearheads to sleep. An episode on reverb takes him to a disused underground oil tank in Scotland, home of what is probably the longest echo in the world. The show’s format can be playful, too. In a clever illustration of the topic at hand, an installment on sampling fills transitions between segments with collages of sounds and images from other parts of the episode. [Read an essay on the recent glut of post-MTV music television.]

The White Lotus (HBO)

Vacation, all we ever wanted—especially now that travel is starting to feel safe again. So great is the thrill of drawing up an itinerary for the first time in 16 months that it might plunge us into denial of what we know deep down: that vacation is no panacea. It’s a break from work, sure, for those who can actually log off. But our real troubles, the ones that infect our most precious relationships, can’t be checked at the front desk of any five-star hotel. They follow us to our destinations, reframing our every experience, like human remains in the cargo hold of a plane packed with tourists.

This grim metaphor constitutes the opening scene ofThe White Lotus, a darkly hilarious, existentially terrifying HBO miniseries from writer, director, actor and occasional reality-TV star Mike White. In a Hawaii airport, a tourist couple interrogates a somber-looking man (perennial rom-com boyfriend Jake Lacy in spoiled-frat-boy mode) about his honeymoon at a resort called the White Lotus. “Our guide told us someone was killed there!” the woman exclaims. Yes, says the groom; the body is, just now, being loaded onto the plane they’re about to board. Then it occurs to the couple to ask where his bride is. “No offense,” he replies. “Leave me the f-ck alone.” [Read the full review.]

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By BY ALISON BARNWELL from NYT Books https://ift.tt/3BXS0ql

As Missouri faces a Delta-driven surge, some people are trying to get vaccinated in secret, a doctor says.


By BY ISABELLA GRULLÓN PAZ from NYT World https://ift.tt/3j7IYyu